Stage Door Reviews!!
Reviewed by: Emma Rice of St. Margaret's
A wide assortment of dramatic girls enter the stage as Stage Door, performed by Costa Mesa, opens its curtains. The aspirations of many young actresses are displayed in the setting of a boarding school for young actresses called Footlights. This is where the play takes place and it is the story of those who are and are not able to achieve their dreams and what it takes for them to get there.
Although the show was slow at parts and the energy and vocals were low, the group of actresses at Footlights was able to keep up their high energy and carry the show. They worked well together and each girl was able to establish herself while still staying united as part of the group.
Terry Randall, the most talented girl at Footlights, whose only interests are to be on the stage, portrayed by Monica Dimson, was the leader of the cast and keeps the show moving. She always remains engaged and effectively uses body language to make her character more real. This allows the audience to watch rather than critique her because she looks so natural. David Kingsley, played by Ethan Simonoff, commits to his role as the man in the movie business with regrets. Mrs. Orcutt, played by Lauren Hicks, was the overseer of Footlights. She effectively plays the role of an odd former actress with humor.
One girl at Footlights who stood out dramatically was Sami Hagerman, playing the role of Bernice Niemeyer. Sami fully commits to her quirky role and provides most of the comedy for the production. The remaining comedy was provided by Victor Tran as Lou Milhauser, and Daniel Dang as Fred Powell, who provide a funny and memorable moment as two men that come to pick up dates, that are not quite as interested in them as they are in the girls.
An additional musical aspect is added to the show by Aithi Hong, who plays the role of Olga Brandt. She played difficult musical pieces that add to the chaotic and crazy theatrical life that the girls at Footlights lead.
Stage Door shows the emotional hardships that those in the theatre business endure and why. It shows the longings that so many have for “that part” and what they are willing to go through to get it. Despite issues in consistent energy levels, Costa Mesa is able to convey this idea with strong character choices and enjoyable comedy.
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Reviewed by Amy Schultz of La Habra
“Clean living, high thinking, and the occasional dinner with the manager” are the necessities to becoming a successful stage actress, according to the residents of Mrs. Orcutt’s boarding house for actresses in New York City.
In “Stage Door” performed by Costa Mesa High School, the cast and crew combine their efforts to present a classic piece of American theater.
A story of never letting your dreams die, “Stage Door” written by George S. Kaufman and Edna Ferber follows the lives of the hopeful and aspiring young actresses during the 1930s when west coast Hollywood starts colliding with the classic east coast Broadway Theater.
The one actress who never abandons her dream, Monica Dimson as Terry Randall demonstrates the amount of strength and commitment that is imperative to portray her character accurately. Dimson honestly displays the struggle within her character between staying true to her passion or making money in the movie business.
Representing the two combating life paths in Terry’s life are Ethan Simonoff as the acclaimed movie director David Kingsley and Elliot Sneen as Keith Burgess, the want-to-be intellectual playwright. Both actors admirably convey their opposing conjectures and affection for Terry.
Some of the other actresses in the boarding house who too have dreams of the stage are Ramandeep Kaur as Judith Canfield and Sami Hagerman as Bernice Niemeyer. With her sly condescending smile and typical sarcasm, Kaur distinguishes herself as the girl in the house who tells it like it is. Not to go unnoticed is Hagerman’s perfectly timed comedic performance. As the overly dramatic one of the house, the scene is always alive with her endless efforts to become a star.
With an overflowing amount of props, David Gummere, Than Tran, Shandra Wilde, and Chelsea Russell as the stage crew consistently make sure that each scene is set before the curtain opens. Even though there were constant inaudible lines and some characters remained on the same emotional level throughout the show, the amount of energy the actors exert masks the complications.
Ending on the keynote that patience is needed when reaching for a goal, Costa Mesa High School’s production of “Stage Door” leaves the audience with a motivating and inspirational story of perseverance.
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Reviewed by Anthony Espinoza of La Habra
George S. Kaufman and Edna Ferver collaborated to concoct a genuine look into the battle of passion v. needs. Costa Mesa high school chose the classic play “Stage Door” to display their wealth of talent and budding new actors. The story hovers around an actress’s boarding house where we watch as many must make the choice between selling out and leaving for Hollywood or staying true to themselves and keeping with the sparse but genuine stage.
Terry Randall played by Monica Dimson is the central character who is loved by all the girls and gets more jobs than most. Monica does a wonderful job carrying some of the dryer scenes, and with her amazingly natural body language she constantly commands the attention of the audience.
Bernice Niemeyer, played by Sami Hagerman, is the sparkle on stage. Obnoxious, vivacious and natural this character was always welcomed by the audience. Sami brought a level of comic relief neither distracting nor brief. Bernice was the contrast to a sometimes gloomy scene, and with Sami’s comedic timing, she brought another memorable aspect to the production.
David Kingsley played by Ethan Simonoff, worked well with Monica Dimson on stage. He kept audience attention and demonstrated an understanding of his character.
As a group the entire cast worked amazingly well with each other. Despite having some twenty people on stage the flow of action was well formulated and timed. The girl brought an energy and passion to the stage that seemed to revive some of the actors.
With a committed supporting cast, strong leads and unsurpassed group chemistry Cost Mesa high school produced a thoroughly entertaining, and true to life production anyone would be glad to see.
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Reviewed by Christine Clausing of La Habra
A womens’ boarding house in NYC, boarding young actresses trying to make their ways to the top- what could go wrong?
Written in 1936 by George S Kaufman, “Stage Door” is a classical piece of theater that tells the stories of struggling actresses trying to balance their life between passion, love, and money.
Monica Dimson as Terry Randall flwlessly demonstrates her character’s knowledgeable, kindhearted nature. This is shown especially well in scenes where she takes on the role of wisdom, becoming the big sister they wish they had. Truly, Dimson reaches for the stars, spicing up her character, making it her own, and giving an unforgettable performance.
As the only two women in the house who haven’t been blinded to reality by the bright lights of show business, Cathy Guevara and Lauren Hicks as Mattie and Mrs. Orcutt, work extremely well together to create an honest depiction of a New York boarding house dealing with the constant dramatics of struggling actresses. The comedic duo plays off each other’s witty comments through the performance, keeping high energy at a constant.
Boisterous yet still realistic, Sami Hagerman as Bernice Niemeyer makes her character unforgettable, shining through as a star, even when surrounded by a crowd of unruly people. Hagerman stands up in a photograph, tossing her hair with attitude and bubble, showing the animated diva she really is. The actress holds true to the role, committing to everything she does, and it pays off with a stellar performance.
Miss know-it-all, larger than life, Judith Canfield is played by Ramandeep Kaur. The actress portrays her character with a spunk and charm that do not let her be forgotten. Kaur remains constantly energetic in portraying her character.
As a show written with the majority of the parts for women, the men of the show should not to be forgotten. The males showcased in the performance work together so as to not be upstaged by the obviously talented girls of the cast.
Though in the first act, the lack of energy from some members, combined with poor diction makes some actors’ lines difficult to understand, however conditions greatly improve after intermission.
Through the combined use of simplicity and comedic relief, the cast of Costa Mesa high school's "Stage Door" bring together a memorable piece of theater, questioning the importance of sticking to one’s dreams versus taking the easy way out of a difficult situation.
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Reviewed by Charles Long of Mission Viejo
Heated artistic debates builds up in the main room of the Footlights Club in Costa Mesa’s production of George S. Kaufman and Edna Ferber’s play, Stage Door.
Starting in the mid-1930s, Stage Door follows the lives of several different actresses as they labor to make a living and get noticed on the Broadway circuit. Terry Randall, a seemingly simple person but, stunning actress, is constantly confronted by the option to join the motion picture business and leave her passion for the theatre. It is through Terry that Kaufman shares his ideology that the theatre is a higher art than film which he thoroughly detests.
Monica Dimson, as Terry Randall, gives the other actors and actresses a high standard to follow. As she chats with her entourage of actress friends, she speaks with a considerate air and a smile from her heart. When her boyfriend Keith Burgess announces that it is Hollywood or bust between them, Dimson’s eyes smoothly communicate her thoughts and grief of having to decide between the two things she loves most. Dimson matures her character and increases her role’s determination thru her walking and speaking in stronger tones as the play progresses.
Sami Hagerman provides comic relief as Bernice Niemeyer, the drama queen of the footlights club who can’t seem to get her name noticed. Hagerman moves very easily about the stage whether it is with her newest hat, her favorite boa, or her bright orange dress. She commits full-force to her air-headed part and causes the audience to laugh often in the areas of awkward tension she establishes on the stage.
Aithi Hong as Olga Brandt adds an artistic flair to the show in her live piano playing on the stage. Actively playing pieces from the masters like Beethoven and Chopin, Hong’s music settles the audience’s quickened heart rate from the higher tensioned scenes of the show.
Though the nearly full women cast show a great deal of commitment in creating the many character roles of Stage Door, better articulation could make important lines clearer to the audience
The set crew, led by David Gummere, moves with quiet footsteps and quick pace appearing unnoticeable during the scene changes while 30’s jazz plays in the house.
Costa Mesa’s Stage Door is an enjoyable experience that will leave you thinking between the choppiness of films and the beautiful live performance of the theatre.
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Reviewed by Michael A. Duran of Mission Viejo
Costa Mesa’s production of Stage Door offers audiences a look into lives of actresses trying to make it on Broadway. Though their lives are often grim, Costa Mesa does a good job of bringing out what hope the actresses still have through their strong ensemble.
Stage Door tells the story of a Terry Randall (Monica Dimson) and her unfailing devotion to theatre. Even though David Kingsley (Ethan Simonoff) believes that Terry and Jean Maitland (Sam Strodel) have what it takes to become Hollywood actresses, Terry remains true to the theatre. Terry lives with a plethora of lovable actresses in the house of Mrs. Orcutt (Lauren Hicks). The girls manage to get by, although they are often in need of a job. In the end, Kingsley buys a fantastic play for Terry, and Terry gets to play the role that she’s always deserved.
The greatest aspect of the play was the sense of ensemble that the girls created onstage. From the funny characters of Big Mary (Kasandra Afuang) and Little Mary (Genesis Rivas) to the overdramatic and hilarious Bernice Niemeyer (Sami Hagerman), all of the girls really seemed to respond to each other throughout the play.
Although the actress girls were mostly excellent, I felt that some of the male characters lacked significant depth. I would have liked to have seen more commitment from some of the male actors.
Some of the non-essential actors were the most fun to watch. Lou Milhauser (Victor Tran) was quite good. He exhibited a large array of facial expressions which perfectly suited his role of the unrequited lover. Furthermore, Larry Westcott (Alfredo Munoz), was great as the crazy photographer. He had a great deal of character that showed in his vocal inflection and physical gestures.
The technical aspects of the play were fine. The actors were a tad difficult to understand near the beginning, but they got much better as the play progressed. The set was fantastic, it was a beautiful rendition of a house for actresses. Olga Brandt (Aithi Hong) was great on the piano. She played difficult songs from Chopin and Beethoven, and did it under very difficult positions. The lights served their purpose well, and the costumes and make up represented the time period.
Overall, Costa Mesa’s production is warm and funny. You will fall in love with the cast of girls, while some of the extras add a little something special.
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Reviewed by Noelle Medina of Mission Viejo
Acting is more than just a career in Edna Farber and George S. Kaufman’s 1936 classic piece, Stage Door. Performed by Costa Mesa High School’s theater department the characters of Stage Door came to life November 29th under the direction of Jackie Melbon.
Lavish walls draped with lace curtains and pink, floral wall paper consumes the parlor of a 1940’s boarding house for aspiring young actresses in the heart of New York City. Though immensely diverse, the girls share the common struggle to land an acting job the busy city, while managing to pay the rent of their stay. With swollen ankles and crushed spirits, these hopefuls strive to make it “big time” in the “Big Apple.”
The witty Terry Randall, played by Monica Dimson, is torn between betraying her true passion for live theater and an offer to act in motion pictures. Boldly resistant, Terry trades in the surf and sand of the exhilarating West Coast lifestyle for her drafty boarding room in the bustling city. Dimson’s talents shined through the eyes of Terry. Her imperishable energy persisted throughout the production while captivating the audience with her remarkable stage presence. Terry’s friend and eventual boyfriend, David Kingsley, is a famous movie producer who supports Terry’s desire to work onstage instead of in front of the camera. Ethan Simonoff embodied Kingsley’s importance and charisma as he initiates his feelings for the lovely Terry.
Arrogance engulfs the once devastated playwright, Keith Burgess, when he finally sells his play to a major theater producer. While landing the job Keith also looses the girl. Terry feels Keith’s success has replaced her as his true love. Elliot Sneen developed Keith to be haughty, though remaining totally believable to the audience. His emotions cued at appropriate times and his vocal quality was superb.
Hair and makeup played up the features of each actor to look the appropriate age living in the appropriate time period. A sweet peach cheek paired with vibrant red lips topped off this timeless 1940’s look. Bobbed wigs enhanced the show with 1940’s styles. Though the majority of the cast did not wear wigs, they left their hair curled or slicked back.
Though onstage energy wavered at times, it was quickly reinitiated by a cast of dedicated and talented actors and actresses.
An impressive and commendable revival of the 1940’s was delivered by Costa Mesa High School.
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Reviewed by Scott Shimizu of Mission Viejo
Life for Terry Randall couldn’t be crazier: her boyfriend left her to go to Hollywood, she lives in a boarding house full of aspiring actresses, and she can’t seem to land an acting job that lasts more than a week. Costa Mesa High School’s production of Stage Door chronicles the adventures of Terry as she attempts to follow her dream.
Filled with the drama and disappointments of aspiring actresses in New York, Stage Door follows the life of Terry Randall and the rest of the girls at Mrs. Orcutt’s boarding house. Constantly attempting to land a role, Terry tirelessly pounds the pavement, only to be let down again and again. Time passes, and Terry and the girls grow, experiencing both success and defeat. Choosing to pursue a career on the stage, Terry gives up a chance to become successful in film, a decision that loses her both her best friend and her lover. With this newfound determination to become a famous stage actress, Terry sets forth, with the help of new beau David Kingsley, to take Broadway by storm.
Monica Dimson plays Terry Randall with grace and fluidity. Dimson, despite her small stature, seems to fill the stage with energy each time she enters. Through her eyes, Dimson is able to communicate the hurt and confusion she feels when Keith Burgess leaves her, and oppositely shines with hope and love when David Kingsley tells her she’ll be in his show.
Sami Hagerman is wonderful as the hilariously over dramatic Bernice Niemeyer. From the moment she first bounces on stage, Hagerman has an effervescent life and energy that draws the audience in. Whether she is creeping around the boarding house in the hopes of meeting David Kingsley or bounding around in a feather boa, Hagerman delivers each line with superb comedic timing.
The 1930s style hair, done by Sam Strodel and Karli Bauermeister, fits well for the time period and looks wonderful. Every girl has a unique and appropriate hairstyle that is maintained throughout the production.
For a night of love, disappointments, and drama, look no further than Costa Mesa High School’s production of Stage Door.
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Reviewed by Sebastian Beshk of Mission Viejo
Thunder, Lighting, and Passion. The theater is full of it, and so is Costa Mesa’s performance of Stage Door.
Terry Randall, played by Monica Dimson, brings to life the story of an actress forced to choose between her dreams or a life full of fame and misery. She is forced to follow her heart and stay with the theatre. In the 1930’s, when this play takes place, Talkies or films has become more popular and the demand for young actress have become higher, but Terry can’t find it in herself to leave the theater, and must fight years of rejection and let downs. In the end her love and respect for the theater makes her dreams come true when she finally receives her big break.
Dimson created a strong passionate character for her complex role as Terry Randall. Her soft gestures, but firm body language helped illustrate her character to the audience. By simply looking at the way she held herself it was apparent what she was feeling. Her charisma added much to the show, and helped to move it along.
Mrs. Orcutt, played by Lauren Hicks, is the Footlights Landlord and was a former actress herself. From one scene to the next Hicks pulls the audience in with her colorful character and physical comedy.
Judith Canfield, played by Ramandeep Kaur, is Terry’s best friend and understands her dreams to pursue the theater. She plays up her witty lines while having bold body movements to help get across her strong character to the audience.
Bernice Niemeyer, played by Sami Hagerman, stole the show. She committed fully to her character and each time she entered on the stage she stole the attention of the audience either from the way she delivered her lines or merely just how she presented herself on stage.
I felt that some blackouts and transitions were unnecessary because it pulled the audience out of the moment and out of the show. Although the sound was hard to hear and the actors had trouble with articulation the show pulled the audience in with its real character’s and how people deal with the world around them.
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Reviewed by Sharon Massey of Mission Viejo
Set in the radically changing 1930’s, and in lively New York City, Costa Mesa High School’s Stage Door effectively portrays the bustling world of boarding house actresses.
Trying to survive as an actress in New York City is never easy, and this is clearly displayed in Mrs. Orcutt’s boarding house for actresses. As each girl is attempting to make there own way through life, many are faced with the strenuous decision of going to Hollywood to be in the movies, or to stay on the east coast to be on stage. This debate was common within young actresses of the time, but it all came down the the theme of listening to their own heart.
With her great posture and liveliness on stage, Monica Dimson convincingly depicted the persistent Terry Randall. While keeping the energy up onstage, she also had amazing character interactions with all the other characters. Dimson’s character choices were chosen excellently and tremendously added to her character.
Sami Hagerman as Bernice Niemeyer, embodies her character with her excellent commitment to the role. Whether it was showing off for her fellow actresses or crying on the couch, Hagerman added quirky traits to her character making her unforgettable.
As the underestimated maid, Mattie, Catry Guevara adds spunk to her character making the character memorable. Her attitude toward the other girls in the house was so snide and sarcastic that it was comical and charming. The impressive pianist Olga Brandt was played by Aithi Hong, who showed the audience her creativity and talent by beautifully playing the piano and filling ears and the auditorium with music by Chopin.
Although there was some lack of energy on stage and sometimes actors or actresses were unable to be heard, the performance over all was commendable.
Costa Mesa High School took an excellent look into the hard life and decisions of young actresses of the time.
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Reviewed by Ashley Rosenkranz of Newport Harbor
The power of the stage and all its allure is what fuels the struggling actresses that fill the floors of Mrs. Orcutt’s boarding house. While some lose themselves in the glitz and glamour of Hollywood and the coast, staying true to your passions becomes an overall theme in Costa Mesa High School’s production of “Stage Door”. Filled with swanky 30s apparel, this time piece portrays 1930s New York with a flair for the dramatic, showing the odds and ends of what it takes to be an actress.
As the girls struggle on, audition after audition, curtain after curtain, with the help of their landlady, Mrs. Orcutt, they are able to find strength through one another and continue searching and working towards their dreams of dominating the stage.
Terry Randall, played by Monica Dimson, is the one actress in the house that works passionately for her desire of being on stage , a desire she has had since she was a young girl. Even when Mr. Kingsley, an acting scout, asks her go to Hollywood, she resists in order to hold on to her love, the stage. Dimson was incredibly natural in every scene, moving comfortably and coming across so realistically that, at times, it felt like looking in on a real woman‘s life. She consistently illuminated the stage and brought a scene to life, especially when enthusiasm got low on stage.
Jean Maitland, played by Sam Strodel, is Terry’s friend that is overtaken by fame and fortune. Strodel made others swoon in her presence. Her confidence and haughty persona added to the animosity Terry held towards film acting.
Although most of the male actors seemed to lack commitment to their characters, Ethan Simonoff, who played Mr. Kingsley, was delightful in all of his scenes, especially those with Terry, where he is completely captivated by her motivation.
Of all the girls that live in the house that were always motivated and giddy, Sami Hagerman, who played Bernice, was hilarious! She brought a comedic presence into the simplest of scenes, such as when she was attempting to dance provocatively, when in reality she is just a dopey girl who craves the sex appeal all the others possess in the house.
Overall, the cast did an exceptional job at portraying the rough lives of struggling actresses.
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Reviewed by Grace Roberts of Newport Harbor
No job. No money. No family near, just the love of countless girls in your same situation; actresses in the big town of New York City. Costa Mesa High School’s production of The Stage Door exposed the harsh lives of performers in the 1930’s- some times stuck between the stage and the screen, and most times stuck between nothing at all.
Stage Door, written by Edna Farber and George S. Kaufman follows the lives of Terry Randall, a lover of the stage, and her friends, all aspiring actress residing in the boarding house of Mrs. Orcutt. Throughout the show conflict arises as the girls go through change, some leaving the house – moving to better things and some leaving…entirely.
Throughout the show, many of the cast members showed strong signs of character development, as their body language and line delivery allowed the audience to connect better with his or her character. The ensemble as a whole brought feeling of unity and happiness to the stage of Costa Mesa High School, lightening many times of sadness with their comic nature.
Although some of the cast members lacked in emotion and projection, Monica Dimson was a great asset to the show, portraying the role of Terry Randall as a strong and likeable character. Through the frustrations of auditions, men, and life altogether, Dimson’s bold emotions truly contributed to the whole production. Elliot Sneen played Keith Burgess, a famous producer. Sneen gave a great effort to the development of his role, at times lacking in pronunciation and projection, but altogether performing his part well.
Many of the show’s featured and cameo actors stood out among the large ensemble adding many different feeling to the play’s story. Sami Hagerman played Bearnice Niemeyer, a charming and comic actress, and stood out in each scene she was in, not only because of her outrageous actions, but because of her timing of lines and interaction with others. Standing out from the ensemble was Sarah Brazer, who played the part of Ann Braddock. Her deliverance and questioning nature of each line brought joy to the stage, as she brightened up the dark and/or dull moments throughout the show.
The cast of Stage Door was blessed with a large and beautiful set. The feminine living room painted entirely pink, popped out from the black stage creating a great contrast. The costumes and make-up of the show supported the time period, but occasionally created distraction- whether intentional or not. The sound design of Stage Door, gave adequate sound to the stage, sometimes loosing a few of the actors’ words but altogether a nice design for a large cast.
Costa Mesa High School’s production of Stage Door was all in all a sweet performance; with the final lines of the show leaving the audience with a content feeling.
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Reviewed by Katie Escher of Newport Harbor
Following the life of a young actress striving for success in the world of theater was the plot of Costa Mesa’s Stage Door. From warm homecomings to tearful goodbyes, the cast members brought little enthusiasm to their characters, with few exceptions. One of those being leading lady, Monica Dimson who played the captivating role of Terry Randall. Monica is a natural performer and at various points throughout the show made me forget that this was not her real life.
Terry’s two leading men however did not grab as much attention as I would have liked, unlike the duo of Fred Powell and Lou Milhauser played by Daniel Dang and Victor Tran. Although they had smaller parts, the one scene they had together kept everyone folding over in hysterics.
Terry's friends, when all gathered in the living room of the boarding house, were entertaining and fun to watch. Including Sami Hangerman who played the hilarious role of Bernice Niemeyer. Her comic relief after very serious scenes had the whole audience bursting with laughter. Jean Maitland (Sam Strodel), Bobby Melrose (Karli Bauermeister), Ellen Fenwick (Carisse Ahearn), and Susan Paige (Katie Weber) were all high energy, perky, and upbeat creating an exciting atmosphere around them. Olga Brandt played by Aithi Hong fit her role perfectly; her piano playing was an excellent touch. Last, but certainly not least is Lucy Rybarczyk who did a great job at playing a depressed, cynical Kaye Hamilton. Even as an unspirited character, she had enough energy and wit to pull of a suicidal, starving actress.
Costa Mesa put on a well-done production of Stage Door and I hope to see more of their work in the future.
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Reviewed by Lauren Hudson of Newport Harbor
“If you believe in something you’ve got to be willing to starve for it.” This was the quote embodied by every actor performing in Stage Door, by Edna Farber and George S. Kaufman at Costa Mesa High. The play surrounds Mrs. Orcutt’s boarding house for young actresses in late 1930's New York. Over the course of two years, the actresses strive to make the dreams of headlining on Broadway come true while living in near poverty. Yet when one of their own decides to trade Broadway hopes for the silver screens of Hollywood, the conflict of passion versus security arises for out heroine Terry Randall, played by Monica Dimson.
Terry is a woman who despite years of lackluster bit parts on stage, forces herself to be perpetually optimistic in finding her big break, Dimson gives Terry a voice of maturity and confidence that allows the audience to believe along with her until the final gratification in the last scene. Another notable performance is Sami Hagerman who gives frequent comedic relief throughout the play as Bernice Niemeyer, another down and out actress who knows she is fabulous and delivers hilarious one liners whenever on stage. While this play was heavily female, the male actors offered versatility to their characters. Elliot Sneen, who plays Keith Burgess, the anti-industry turned Hollywood big shot aptly portrays the character’s transition from starving artist to a man stifling his talent for success. Ramandeep Kaur gives a wise performance as Judith Canfield, a voice of reality and comfort to Terry and the rest of the women in the home. Kaur not only plays Canfield soft and securely, but as a strong woman which comes across to her audience with every line.
The colorful characters of Stage Door add to the ultimate choice that thespian at heart Terry, has to make, to stay in the theater which has left her poor and hungry, or to sell out. Yet Terry realizes that her passion is worth starving for and is rewarded with her long awaited role. In doing so Dimson allows the audience to believe that their passions are what is worth starving for as well.
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Reviewed by Megan Stevenson of Newport Harbor
Following your passion in life is what makes everything worth while. Life shouldn’t be about giving up what you love to do for something less. The 1936 play, Stage Door, by Edna Farber and George Kaufman, follows the life of a struggling actress trying to stay true to her one passion in life, theatre.
Stage Door is a story of the battle between Broadway and Hollywood. Terry Randall loves theatre and it is her one dream to be a leading lady on stage. Her best friend, Jean Maitland, and later her boyfriend, Keith Burgess, try to get her to go act in Hollywood. With the support of her roommates, Terry stays true to her heart and stays in New York to follow her passion.
Monica Dimson, (Terry Randall), did an excellent job of conveying her character’s emotional struggles. She was natural and fluid on stage always bringing emotion and energy to the slower parts of the play. Monica shined throughout the show and helped lift the lack of emotion in other areas.
Sami Hagerman, (Bernice Neimeyer), had great comedic timing. Every time she came on stage, her presence could not be ignored. She brought energy and laughter into all her scenes.
Sarah Brazer, (Ann Braddock), was amazing. She light up the stage every time she came on and you couldn’t help but watch her every move. Every line was delivered with great emotion.
Stage crew and curtain puller, (Chelsea Russell, David Gummere, Thanh Tran, Shandra Wilde, and Alyssa Hatton), were very fluid and kept the pace going.
Lucy Rybarczyk, (Kaye Hamilton), conveyed her character’s emotions magnificently throughout the play. She displayed the building depression of her character through her facial expressions and tone of voice. Her body language portrayed the lack of confidence and sense of sadness her character felt.
Stage Door is a great tale of the trials young actresses go through and the struggle with following your dreams.
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Reviewed by Peter Jackson of Newport Harbor
It’s 1930s New York City and a boardinghouse for young actresses is bursting at the seams with hopefuls awaiting their big break in the theatre. Costa Mesa High School’s production of Stage Door on Thursday night was chock full of talented actresses and offered equal servings of drama and comedy.
The most stellar performance of the night is that by Monica Dimson playing the role of Terry Randall. Terry, a woman caught in between her passion for theatre and the glamour of film, is a complicated character—embodied masterfully by Dimson. The highlight of Dimson’s performance is her reminiscence of her first theatre experience as a child with her mother in Indianapolis. Dimson’s facial expression and body language is unforced, responding to and serving each thought and word naturally. During Dimson’s dialogue, one forgets that he is watching an actress, but rather Terry Randall herself.
The other outstanding performance was Sami Hagerman as Bernice Niemeyer. Hagerman’s comedic timing is sensational. Portraying the undeniably hilarious character: the wannabe Broadway star, Hagerman makes Bernice Niemeyer her own with hyperbolized body language and non-stop energy—embracing the quirkiness of her character until her final bow. From Hagerman’s shouting “I am here… and I am ready!” as she tosses her boa over her shoulder to her discovery of her roommate’s suicide, Hagerman’s awesome display of versatility and range from flamboyant to utterly shocked is undoubtedly proof of a real actress.
While the majority of the cast suffers from poor projection and articulation, the performances of certain characters make up for it. Notable performances include Lauren Hicks as Mrs. Orcutt, Ramandeep Kaur as Judith Canfield, Lucy Rybarczyk as Kaye Hamilton, Sam Strodel as Jean Maitland, Javon McGriff as Sam Hastings and Sarah Brazer as Ann Braddock.
Props to Aithi Hong, who played Olga Brandt, for her awesome piano skills—she played such classics as Claire de Lune and Beethoven’s Bagatelle in A minor. While she could have used the soft pedal during large cast scenes as not to compete with dialogue, her mastery of the instrument is nothing less than impressive.
With all of the hustling and bustling of girls around the stage, the cast creates the atmosphere of madness that is the life of struggling actors successfully. The similarity between the story of Stage Door and Costa Mesa’s Lyceum Theatre is striking; a bunch of talented actresses in a humble facility, impatient to stretch their legs.
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Reviwed by Rowley Rice of St. Margaret's
What should people choose when torn between love and money? Costa Mesa High School’s recent production of Edna Farber and George S. Kaufman’s Stage Door attempted to answer this question, following young actresses in a New York City boarding house in their searches for jobs and meaning. The show primarily focuses on Terry Randall, cleverly portrayed by Monica Dimson, as life forces her to choose between success in the movie business she hates, or struggle on the stage that she loves.
Costa Mesa’s cast provided an amusing and moving production. Although the show’s pacing slowed at times and a lack of understandability hampered some actors, overall the cast gave a strong performance that featured unique characters, high energy, and intense connections between actors.
Monica Dimson (Terry Randall) served as the backbone of Costa Mesa’s production. Dimson combined her powerful stage presence, body language, sense of comedic timing, and high energy to create a moving character that instantly connected to both the audience and her fellow actors. Ethan Simonoff assisted Dimson with his emotional portrayal of movie-producer David Kingsley. Lauren Hick’s strong characterization of the washed-up actress turned house-owner Mrs. Orcutt also served as a major source of humor.
The girls of the boarding house successfully fused as a fun, quirky, and energized ensemble whose entertaining interactions shone during group scenes such as the second act’s Sunday morning scene. In particular, Sami Hagerman gave a hilarious performance as Bernice Niemeyer, her high energy, commitment to her character, and skillful physical comedy provided many amusing moments. Ramandeep Kaur also remained constantly in character, cleverly using sarcasm to craft an entertaining portrayal of Terry’s friend Judith Canfield. Daniel Dang and Victor Tran also gave a brief, but hilarious scene as the gentlemen callers Fred Powell and Lou Milhauser (respectively), effectively using their body language and vocal tones to create cheesy characters looking for girls. Aithi Hong gave an amusing performance as the concert pianist Olga Brandt, cemented by her excellent classical piano playing, which also added to the mood of many scenes.
Stage Door asks the essential question, what is more important, love or money? For the answer, look to Costa Mesa High School’s cast which put on an entertaining, interesting, and amusing production that shed light on the hardships of acting and life’s choices.
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Reviewed by Kim Michalek of Tesoro
This year Costa Mesa High School produces their rendition of Edna Farber and George S. Kaufman’s “Stage Door”. Set during the early 1900’s when theatre starts to become more popular in America, this comedic show tells the story of a group of young actress’ struggle to become famous and wealthy while living under one roof and shows how chaotic it can get. The show consists of girls’ difficult decisions to either go west and become Hollywood movie stars or to stick to their passion, the stage.
The owner of the actress’ housing estate, Mrs. Orcutt (Lauren Hicks), has a drastic make up job. She wears dark blue eye shadow, pale white foundation, and a surplus of dark red lipstick. This shows that she is a dramatic woman who tries to be as extravagant as possible but unfortunately does a horrible job of it. This is perfect for her character because it gives her character a comedic touch.
Bernice Niemeyer (Sami Hagerman) walks on stage in crazy outfits and makes funny remarks towards any situation. When taking the group picture, she shows up fashionably late in a bright orange dress and matching boa and walks in like she owns the place. She tries to get into other people’s business and thinks that everything revolves around her. She steals the show with this outgoing personality and these strong character choices.
There are many different actresses at the house with their own personalities and stories. Some characters are more outgoing like Judith Canfield (Ramandeep Kaur) while others are more strict and shy like Olga Brandt (Aithi Hong). The ensemble has difficulties with commitment to character and sometimes lacks the energy needed for the show. It is difficult to differentiate between some of the actresses because not all make distinct character choices. Many of the scenes seem off pace and at times are a little rushed.
Overall, Costa Mesa High School produces a show that has some strong characters that keep the show going while others are just actors on stage with no special qualities or personalities.
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Reviwed
by Lyn Cowan of Tesoro
Costa Mesa High School’s “Stage Door”, by Edna Farber and George S. Kaufman, is about sticking with your passions and never giving up. Set in a boarding house for actresses in 1938, this show is primarily about the struggle young Terry Randall (Monica Dimson) is going through between struggling with her love, the eastern theatre, and making it in the big time with West Coast Hollywood.
In the beginning of the show, a plethora of young female characters are introduced, and often times, it is difficult to keep their identities straight. Some of the characters have trouble defining their characters which makes them very forgettable. Mrs. Orcutt (Lauren Hicks) has a very over the top character which is made clear through her zany makeup and her soft and sophisticated voice. Following her, comes Big Mary (Kassandra Afuang) and Little Mary (Genesis Rivas) who are hysterical due to the fact that Little Mary listens and follows whatever Big Mary says. Bernice (Sami Hagerman) is another hillarious character who wants to act so badly,which is obvious through her dramatic performance in front of the big producer who pays a visit to the house.
After all of the characters are introduced, we finally meet the main character, Terry Randall. Her character is compassionate and caring which is clear through her body language which flows very naturally, and isn’t forced in the slightest when she’s talking to her boyfriend, Keith Burgess (Elliott Sneen). Eventually, one of the girls, Jean Maitland (Sam Strodel) gets a call from a big Hollywood producer, David Kingsley (Ethan Simonoff) who offers her a contract, fame, and most of all, money. Both Jean and Terry are made this offer, Jean readily accepts, but Terry is not so sure. Terry’s internal conflict surfaces here, but it is clear that she wants to stay on the east coast and perform through her facial expressions which are full of disappointment and her body language becomes stern when she refuses to leave with Jean.
After a few more years of struggle, Kingsley decides West Coast Hollywood isn’t for him and offers Terry a leading role in his new play, which is to open in the Eastern theatre district. In the end, Costa Mesa’s “Stage Door” lacked the passion and energy required to reach the show’s full potential.
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Reviewed by Melissa Nakano of Tesoro
The term “starving artists” is a reoccurring idea in the play “Stage Door,” written by George S. Kaufman and Edna Ferber. Written in 1936, this time-period piece demonstrates the conflicts between the thrill of performing a show on Broadway or selling-out to the movies and how difficult it can be surviving as an actress who isn’t working.
The story is set in a boarding house for actresses, as many as fifteen or more at a time, trying to make it on Broadway, and is run by the eccentric Mrs.Orcutt (Lauren Hicks). Hicks shows great commitment to her crazy character as she uses a range in volume and energetic gesticulations. The actresses work together well as an ensemble which can be seen perfectly in a tableau in the beginning of the second act as they sit around in their pajamas, reading magazines and newspapers while they gossip.
Monica Dimson as Terry Randall is an incredibly honest and believable character. While Terry’s best friend Jean Maitland (Sam Strodel) and unreliable boyfriend Keith Burgess (Elliot Sneen) both surrender to Hollywood, she must decide whether to give up as well or continue her fight for the stage. Dimson delivers all of her lines without faults and truly becomes her character. Her body language flawlessly illustrates her emotions as she is awkward around Burgess or carefree when at home simply relaxing.
Lucy Rybarczyk displays total dedication as the difficult character Kaye Hamilton. The secretive and depressed Hamilton shines even though her facial expressions show pain and misery. Lucy also uses body language to show Kaye’s solitude as she longingly sits in the darkness, and looks out the window.
Although there are solemn moments of the show, a few characters effortlessly present comic relief. Sami Hagerman as Bernice Niemeyer constantly steals the focus as she energetically runs through the house delivering boastful remarks or grand gestures. The relationship between Little Mary (Genesis Rivas) and Big Mary (Kasandra Afuang) also provides a laugh as they bicker over something menial or gossip over a new cast list.
Projection from the actors proves to be one the main problem of the show, as some lines are difficult to understand or overpowered by the piano in the background. However, Costa Mesa High School gives an entertaining performance of the challenging “Stage Door” and the entire cast shows, without doubt, their love for the theatre.
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Reviewed by Samantha Aneson of Tesoro
It’s 1938, and Mrs. Orcutt’s boarding house is home to dozens of starving actresses, anxiously awaiting the role of a lifetime. In Costa Mesa High School’s production of Stage Door, by Kaufman and Farber, a cast of thirty passes through the boarding house living room, bringing with them humor, craziness, and much drama.
The play follows the many occurrences in the boarding house, including fame, failure, and death. It shows many aspects of individual characters’ lives, but it mainly focuses on Terry Randall—a passionate actress whose level headedness and conviction cause her to stand out. It trails her pursuit of success in the theatre and the decisions she must make to stay true to herself, affecting her personal relationships along the way.
Though the script includes an overwhelming number of characters, the entire cast creates individual, strong characterization, making each character different and adding a sense of believability to the bustling boarding house. All stage business in the production is interesting and complex, with each actor living in the moment, creating individual actions and responses, even when they are not the scene’s point of focus.
An individual that truly stands out is Bernice Niemeyer (Sami Hagerman). Hagerman dominates the stage with a bold, over-the-top character who never fails to make the audience laugh. Bernice strives to be the center of attention with large movements and an exaggerated confidence, making her character humorous. Hagerman’s physical work is strong and improves the depth of her character. She makes every movement humorous, even tilting her head back in distress just before she disappears backstage. Hagerman’s flair makes scenes interesting and entertaining, acting as the comic relief after many dramatic events.
Terry Randall (Monica Dimson) serves as the plays central character, bringing honesty and clarity to the play’s dramatic scenes. Her character differs from that of Hagerman’s because it is anything but over-the-top; it is mature and realistic, creating believable moments. Dimson’s subtext is always evident and well thought-out. When she fights with Keith Burgess (Elliott Sneen) about his play’s leading lady, she tells him that she supports his decision, but it is clear that she is not pleased.
Many actors have difficulty being understood, often speaking too fast or too softly. They fail to project and enunciate, and many moments go unheard, detracting from the play's clarity.
Though the performance lacks energy and diction at times, certain individuals compensate for it with strong commitment. Costa Mesa’s performance incorporates humor while still conveying the play’s theme of passion and conviction, proving a joyful and thought-provoking production to watch.
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